“I was filming this postcard, and my camera went [to my hand], and I thought instead of saying my hands are old with spots, I said, it’s a beautiful landscape. And in a way, it’s a way of being a filmmaker that my own age becomes a landscape.”
To the extent that eroticism is about arousing acceptable forms of sexual desire, then, Elle tries to separate its motivations: using sex because one needs it, i.e. to satisfy a compulsion or dominate another through rape (unerotic), or enjoying it as an end in itself (erotic).
Standard Gauge, at 35 minutes, was made using a 1000-foot reel of 16mm film (the running time purposefully matches the film’s subject; Fisher has often called himself a “literalist”). This extensive length occasioned, for Fisher, a complex orchestration of time and footage.
Berlin oder ein Traum mit Sahne (Berlin or a Dream with Cream), The Measures, Seven Signs That Mean Silence, Letters to Max, Babash, Ming of Harlem: Twenty One Storeys in the Air, Broken Tongue, Sugarcoated Arsenic, The Dragon Is the Frame
The death of cinema has been heralded countless times over the past several decades, suggesting that we are well into its ghostly afterlife. Martin Scorsese’s Hugo surveys cinema from this postcinematic station, returning to the profound connection between childhood wonder and early cinema.
If the show traffics in lurid sex as a form of distraction, what are the real scandals being kept from view? Where might the actual crimes of this world, which is so closely modeled on our own, take place, and how might they impact us, the audience, if we dare to look?
Magic Mushroom Mountain Movie, Around the World (aka Speedy Speedy California Sky), Liahona, The Invisible World, Movement in Squares, Figure-Ground, murmurations, Falling Notes Unleaving, Ten Notes on a Summer Day
Monument Film sculpture, anders, Molussien (differently, Molussia), Phantoms of a Libertine, Audition, When Faces Touch, Collections, Martina’s Playhouse, From Romance to Ritual, Spying, Confidential Pt. 2, The Extravagant Shadows