A Few Great Pumpkins
The Invitation, The Ghost Train, The Little Girl Who Lives Down the Lane, The Creature from the Black Lagoon, A Scary Time, Messiah of Evil, Panna a netvor
We have been publishing Reverse Shot for 15 years, and when it comes to maintaining our optimism and enthusiasm for the medium we all ostensibly love, we have had our ups and downs. But things feel hopeful as of late, both in terms of filmmaking and in film criticism.
Two halves form a harmonious whole in Feast of the Epiphany, the new feature from Reverse Shot editors Michael Koresky and Jeff Reichert and RS writer Farihah Zaman. Feast made its world premiere on June 23 at BAMcinemaFest 2018. More dates to come.
The film proceeds in an unhurried fashion, from one static shot to the next, with edits more often than not bringing about changes in time and space, rather than additional vantage points on events. Solnicki resists the urge to coalesce his vignettes into a more structured narrative experience.
As film critics, we have been unclear what to do with our despondency, other than one clear thing: direct our outrage away from suffocating social media channels and toward writing, reasoning, wrestling with ideas, praising, hoping, questioning.
What happens when audiences have come to expect long-simmering, historically engaged Gesamtkunstwerks from a filmmaker and then are treated rapid-fire to a series of increasingly ungraspable present-day love stories? What is Malick doing in To the Wonder, Knight of Cups, and Song to Song, and why now?