The repetitiveness of his project lulls us into surprising moments of realization. We are trained, as when Ji-young repeats herself, to fix our eyes on the slight alterations between films.
© Reverse Shot, 2018. All rights reserved Support forthis publication has been provided through the National Endowment for the Arts. Moving Image Source was developed with generous and visionary support from the Hazen Polsky Foundation, in memory of Joseph H. Hazen.